Related Paintings of unknow artist :. | Surprise of the Pickets at Peck-s House | European city landscape, street landsacpe, construction, frontstore, building and architecture. 331 | Dancer Whirling | Cocks and Sheep 129 | Still life floral, all kinds of reality flowers oil painting 382 |
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William Williams
English-born American Colonial Era Painter, 1727-1791 was an American painter. He was born in Caerphilly, Wales. He began residing in Philadelphia around 1747 and afterwards in New York City before returning to England about 1780, where he died in Bristol
Wyke Bayliss
(October 21, 1835, Madeley, Shropshire - April 5, 1906, London) was a British painter, author and poet. He almost exclusively painted interiors of British and European churches and cathedrals, and was known in the late Victorian era as an academic authority on art. From the start of his career Bayliss' main interest was in depicting architecture, finding "infinite charm" in the "infinite variety of the aspect of a Cathedral interior". His unusual first name was his mother Anne's maiden surname. His brother William Wyke Bayliss became a vicar and sister Elizabeth Anne Bayliss married a vicar, whilst a second sister Mary died as a teenager. Bayliss' wider family consisted of a number of luminaries. His great uncle was Thomas Turner, founder of the Caughley porcelain factory, a major leader in the development of the Willow pattern. Bayliss owned a portrait of Turner by Sir Joshua Reynolds as well as a number of further family portraits by Lemuel Francis Abbott . His second cousin was Sir William Maddock Bayliss. Cologne Cathedral, pen and watercolourHis father, Rev. John Cox Bayliss was a railway engineer who taught military and mathematical drawing, and was also an artist known for his work "Views of Shropshire" published in 1839 . He gave his younger son training after he showed drawing aptitude at an early age. The family moved from Madeley to London following a job offer too good to refuse, giving Bayliss the opportunity to immerse himself in the emerging art scene of the early Victorian period. As a young student at the Royal Academy and the School of Design he became affiliated with the Pre-Raphaelites, and he counted amongst his friends John Millais, Frederic Leighton, William Holman Hunt and Edward Burne-Jones While distant from the Pre-Raphaelites in subject and technique, his paintings often reflect the juxtaposition of detail and colour that characterise much of Millais' and Leighton's work. Frederick Wedmore states in the foreword to Bayliss' autobiography "On reflection it will be seen that Wyke Bayliss had his speciality pretty well to himself. He was the inventor of his own genre - as well as his own method" . Bayliss paintings are held in many smaller UK and European collections, including the Atkinson Art Gallery in Southport (Evening: Amiens Cathedral) and the Welsh national collection.
Juan Bautista Martinez del Mazo
1612-1667 Spanish Juan Bautista Martinez del Mazo Gallery Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa. Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.